This is a Yashica 35 rangefinder camera made by Yashica Co. Ltd between the years of 1958 – 1959. It was Yashica’s first fixed lens rangefinder, and the first new model released after Yashima’s merger with Nicca which formed the new Yashica company in May 1958. It is a fixed lens 35mm rangefinder with a bright, non parallax corrected viewfinder. My example has a 4.5cm f/2.8 Yashinon lens, but others were available with an f/1.9 Yashinon. It is a well built mechanical camera made almost entirely of metal and glass.
Film Type: 135 (35mm)
Lens: 4.5cm f/2.8 Yashinon coated 5-elements
Focus: 1 meter to Infinity
Viewfinder: Coincident Image Coupled Rangefinder with 45mm Projected Frame Lines
Shutter: Copal MXV Leaf
Speeds: B, 1 – 1/500 sec
Exposure Meter: none
Flash Mount: Coldshoe and PC X-sync port
Weight: 702 grams
Manual (similar model): http://www.cameramanuals.org/yashica_pdf/yashica_35_yk.pdf
|The Yashica 35 was Yashica’s very first fixed lens 35mm rangefinder and was the first in a huge lineup of 35mm rangefinder cameras that would last well into the 1970s with the Yashica Electro. It is very well built and has features that are consistent with quality rangefinders from the late 1950s. Despite being completely mechanical and meterless, it is not hard to use, and with only a rudimentary understanding of exposure, can be used to take quality pictures with ease. The camera was in production for only 2 years and can be somewhat hard to come by today, but if one ever crosses your path for a reasonable price, it is a camera worth adding to your collection, or better yet, loading in a roll of film and shooting!|
|Images||Handling||Features||Viewfinder||Feel & Beauty||History||Age|
The Yashica camera company originally started as two separate Japanese companies both who made cameras along with other products. The first, was Kōgaku Seiki which was formed in 1940 by several ex employees of Canon. In 1942, they released their first model, the Nippon, which was a Japanese clone of the popular German Leica camera.
Meanwhile in 1949, the Yashima Seiki Company was founded who primarily made electronic parts for clocks. They eventually moved onto camera parts and released their first camera, the Pigeonflex in 1953 which was based off another German camera, the Rolleicord.
In 1948, Kōgaku Seiki Company changed its name to Nippon Camera Works, and a year later changed it again to Nicca Camera Works. The company continued to build clones of Leica cameras. Although these early Nicca cameras were not very successful, they remain valuable collector’s items today.
Although both the Yashima and Nicca companies made good cameras, after Japan’s defeat in World War II, not many people outside of Japan were interested in a Japanese copies of German designed cameras. Despite their success at making good cameras, both companies struggled to sell their models in large volumes.
In May 1958, Yashima would acquire Nicca Camera Works. They combined the resources of both companies and changed their name to Yashica Co., Ltd. which itself was a combination of both company’s names. Yashica would continue to release new TLR models, but would release two previous Nicca models under the Yashica nameplate, called the Yashica YE and YF which used LTM screw mount lenses. Both of these models strongly resembled the Leica IIIf and would be the last Yashica models with an interchangeable lens mount.
In 1958, Yashica would release it’s first fixed lens rangefinder, the Yashica 35. Although an all new design, this camera had design elements that loosely resembled Nikon’s S-series rangefinder of the same era. With the release of the Yashica 35, the company would begin a decade long blitzkrieg of new TLR, SLR, and rangefinder models. Yashica would release several lines of cameras with nearly constant revisions and improvements. I was unable to find any marketing or advertising material for this camera, but I would guess the selling price was somewhere in the $50 – $70 range.
Finding any specifics about the Yashica 35 was incredibly difficult. In fact, I’d say this was one of the most elusive cameras I’ve ever written info on. For one, it seems that it was only made for a very short period of time. Some sources say from 1958 – 1959, and others til 1960. But second, Yashica would later release an incredibly popular line of cameras known as the Yashica Electro 35 and when searching for any information for a Yashica 35, you only seem to find information about the Electro series. The only good source of information for this model that I’ve been able to find is Joe Marcel Wolff’s Yashica-Guy website where he devotes a couple of paragraphs to this model.
From what I’ve been able to piece together, I believe the Yashica 35 was in development before the merger between Yashima and Nicca, but was released right around the same time as the merger. According to the Yashica-Guy article, variants exist of this camera that credit it being made by both Yashima and Yashica. A recurring statement online is that the Yashica 35 was the very first camera released under the newly merged company, but the presence of some models with “Yashima” on the back contradicts this claim. I do not know if the Yashima versions were released prior to the merger in May 1958, or if the first few off the production line were made with the original name before they had a chance to change it. Since there is so little info about this model, we’ll likely never know.
Edit (7/19/19): Since writing this review, I had the opportunity to interview Paul Sokk from yashicatlr.com. Paul is very knowledgeable about the history of Yashica and Yashima and we discuss the Yashica 35 towards the end of that review, helping to shine a little more light on transition between the two names. If you’d like to know more, I recommend reading that interview.
In addition to the Yashima/Yashica variants, there also exists versions of this camera with either an f/1.9 Yashinon or an f/2.8 Yashinon lens. I have never found any indication of how many of these cameras were made, or if there is any way to date the serial numbers.
I attempted to research other Yashica models to see if there was any way to decode a year of manufacture from the serial number, and other than some Yashica TLRs, it does not seem like Yashica made much of an effort to keep good records of how many were made and in what years. I have previously tried unsuccessfully at getting information about the Yashica Electro’s serial numbers, but there simply doesn’t appear to be any record of that. In any case, the Yashica 35 was a short lived model that gave away to multiple lines of new Yashica rangefinders over the next decade.
In 1959, Yashica would release two new models, the YK and YL, neither of which were produced for very long either. The YK was a simplified version of the original 35, but with a lower spec shutter with a top speed of 1/300 seconds instead of 1/500. The Yashinon f/1.9 lens was not available on the YK. The YL however seemed to be an entirely new design. Perhaps designed in cooperation with Nicca, the YL had a completely unique stepped top plate with a rewind crank relocated to the bottom of the camera. The YL was offered with both the f/2.8 and f/1.9 lenses like the original 35, but also added parallax correction and an improved rangefinder.
Today, almost all Yashica rangefinders are in demand by collectors, some more than others. The most popular models are the Lynx models with the f/1.4 lenses and the Yashica Electros, both of which are sought after for their excellent optics and ease of use. It is generally accepted that all Yashinon lenses were quite good, which helps improve the reputation of Yashica made cameras. The Yashica 35 specifically would probably be in higher demand if there were more out there. Since they don’t come up for sale often, people don’t always keep an eye out for one, but when found in good condition, especially with the f/1.9 lens, they can fetch a pretty decent price.
I really like Yashica rangefinders. It started with my early admiration of the Electro and continued with the Minister-D and the Lynx series. Yashica was one of the few early Japanese camera makers to survive the 50s and keep making quality products throughout the 60s and into the 70s. During that time, they released an incredible number of rangefinder and SLR cameras, some of which were nearly identical to other models in their lineup. I cannot imagine what it must have been like to be a Yashica dealer in the mid 60s when the company was releasing multiple new models every year.
I’ve reviewed a variety of different Yashica cameras on this site and in the History section, I almost always cover the period of time when Yashima Optical acquired Nicca Camera Works and became Yashica. Nicca had a line of well built and expensive Leica inspired interchangeable lens mount rangefinders, but it must have been clear to the leaders at Yashica that the market for high end rangefinders to compete with Canon, Nikon, and the Germans was difficult, so they started work on a lower end model that lacked an interchangeable lens.
I had seen a couple of these Yashica 35s on review sites, but never could find one in good enough condition to pick up. Making acquiring one difficult is that the name “Yashica 35” returns a ton of results when searching Google or eBay for them as many Yashica cameras have the number 35 in the model number, or the characters “35mm” in the title. In fact, as I write this article, an eBay search for “Yashica 35” in the Cameras & Photo category returns 1217 listings, yet only about 5 of those are actual Yashica 35s.
Using some of eBay’s more advanced search options, I created a custom search in both the Vintage Cameras category and Film Cameras category that you can use which narrow it down to about 100. It is important when searching for things in a search engine not to get too specific, as you might filter out what you’re actually looking for. For example, filtering out “35mm” from your search would remove an auction called “Yashica 35 35mm Camera” from your search results.
Once I managed to locate a nice looking Yashica 35 in my “sub $20” price range, I eagerly awaited for it to arrive and when it did, there was some good and bad. I’ll start with the good.
It looked nice…
That’s about it, because there were many issues. The shutter was frozen, the focus was extremely stiff, and the viewfinder was cloudy and extremely difficult to see the rangefinder patch. I began a several month long process into repairing this camera. Normally it doesn’t take me as long as it did with this camera to go through it, but I sorta….you know….misplaced part of the lens halfway through my repair. Thankfully, I found it and was able to get the shutter cleaned up and working, but the list of problems had only begun.
I’ll save you a long diatribe of all the hoops I had to jump through to get this camera working, but I’ll just say that I think the Yashica 35 was a well built camera, but being an early rangefinder, it had a design that wasn’t quite what I was used to and I had some challenges that I hadn’t encountered with other cameras. The viewfinder was easy to get access to, but unlike other 50s and 60s rangefinders, it doesn’t have a traditional beamsplitter, it has a glass prism made of two triangular pieces of glass, with a semi-reflecting coating sandwiched between the two and glued together.
I don’t see there being a lot of demand for an in depth tutorial on how to disassemble this camera for cleaning, so I’ll just include a gallery of some pics I took while I had the camera apart. Each image in the galley below has some notes on what I was doing at the time for anyone interested.
With the camera back together, the shutter working properly at all speeds, the focus ring lubed, and the viewfinder mostly clean, I was ready to shoot some film in the camera. The most immediate thing you’ll notice when handling the Yashica 35 is how solid it feels. An odd thing while handling the 35 was that I was convinced it weighed more than a Yashica Electro, but then I put it on my kitchen scale and found that not to be true. Without film loaded, the Yashica 35 weighs 702 grams and a Yashica Electro 35 GSN without battery weighs 715 grams. Made in 1958, the Yashica 35 predates the prevalence of plastic in later cameras so I was convinced it was heavier until I saw the two on the scale. Perhaps it’s the smaller size of the 35 that just gives it the illusion of being heavier, but whatever the reason, it is still a solid camera.
The viewfinder in the Yashica 35 is bright and modern. It has non parallax corrected bright lines to indicate the 45mm frame and a small rangefinder patch in the center. The rangefinder was a bit difficult to see on this camera, but no worse than any other Yashica I’ve used. While shooting with the Yashica 35, I found it to be a comfortable and intuitive camera to use. I really liked the wind lever on the camera as it tucks nicely into the top plate of the camera. Considering it’s age, there was little in the way of quirks or special care to get good images.
An ever so slight nitpick I found while shooting was the self timer’s location on the bottom of the lens was in a position that was easily bumped by my hand while focusing. There were a couple of times during my first roll where I accidentally triggered the self timer which caused a 1-2 second delay in shooting. I would imagine that this something you’d get used to with repeated use, but considering this was my first time using this camera, it did trip me up a couple of times.
One other thing of note is that unlike most Japanese rangefinders I’ve encountered, the focus scale on this camera is metric only, so if you plan on using the depth of field marks, you’ll have to do it in meters, rather than feet. Metric only scales are common on early German cameras, but I don’t think I have seen another Japanese camera with metric only.
Otherwise, my experience was very pleasurable. In some ways, it seemed to me that Yashica really had their act together in the 1950s. Both their Nicca LTM rangefinders and their Yashica TLRs were excellent examples of each style of camera that compared very favorably to the German models they were modeled after. The Yashica 35 is a very solid and nicely built camera. While I won’t suggest that subsequent models like the Lynx, Minister, or Electro lines were cheap, I feel as though the Yashica 35 is just a notch higher in quality. I have to wonder if the bean-counters at Yashica were already feeling the pressure of the over saturated Japanese camera market by the late 1950s. I can only wonder how the company might have fared if they continued making German quality interchangeable lens rangefinders into the 60s or 70s.
At the same time I was ready to shoot the Yashica 35, I also wanted to take out a Brumberger 35, which is a rebadged Neoca 2S rangefinder. The Brumberger was in nice physical shape, but had an extremely dirty viewfinder and a rangefinder patch that was almost invisible. Both the Yashica and Brumberger were Japanese built rangefinders from the mid to late 50s with similar specs. It was late winter, and my inspiration was low, so in an effort to not drag out two complete rolls of film in each camera, I made the decision to split a 36 exposure roll of Kodak TMax 400 between both cameras so that I could shoot 18 exposures between the two and see what each could do. That way, if one or both of them failed, I would only ruin one roll of film, and not two. Confirming my choice for black and white film was that I shot both cameras in late winter when there were still no leaves on the trees and the weather was regularly gray and overcast.
I didn’t know what to expect from the Yashica 35. On one hand, I regularly have gotten excellent results from other Yashica rangefinders like the Electro, Minister D, and Yashica TLRs with their excellent Yashinon lenses, but on the other, this is the oldest Yashica rangefinder I’ve ever used and the one that had the most condition issues when I acquired it.
Looking through these images, I am generally pleased with their quality. I don’t get that sense of razor sharpness like I have had with other Yashica cameras, but that could be a result of the type of film I used, there could be something misaligned in the lens elements, or it could be that these earlier 35mm Yashinon lenses just simply weren’t as good as later versions.
Whichever the case, these shots are far from bad. I struggled to get perfect focus on a couple of images, but most were OK which tells me that despite being very small, the rangefinder was working correctly. Center sharpness is very good, and I saw only minor amounts of softness around the edges. Since I shot many of these images on hazy or overcast days, most were at f/5.6 and wider. I wonder what this camera would be capable of with better film on a bright and sunny day at f/8 or f/11 where most lenses are at their sharpest. I detect an ever so slight amount of overexposure on a few frames, but that could simply be my own choices for exposure, rather than the possibility of the shutter being slow.
It was good that I went into this camera with modest expectations because had I hoped for stellar results, I might have been disappointed. It’s important to remember that the target customer who might have bought a Yashica 35 in 1958 would not have expected top of the line optics. The camera is all metal and feels solid in your hands. By 1950s standards, the viewfinder is reasonably bright and easy enough to use, and other than the location of the self timer which I accidentally hit a couple of times, I found the ergonomics of the camera to be good. Plus, I also have to consider that this camera is nearly 60 years old, and who knows how many times it’s been taken apart or bumped causing minor performance aberrations.
I think the Yashica 35 is a handsome camera with a classic design that looks great on a shelf, it’s easy to use, and although I didn’t get any amazing shots out of it, it’s far from a disappointment. These cameras aren’t exactly common, so I doubt anyone reading this article is going to run out and start buying up the world’s supply of them, but my advice is that if you ever come across one for a decent price, it is absolutely worth a try.
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